Photo : P. Raimbault
Philippe Leroux (b. 1959) entered the Paris Conservatory in 1978 (Conservatoire National Supérieur de Musique), studied with Ivo Malec, Claude Ballif, Pierre Schäeffer and Guy Reibel and obtained three first prizes. Meanwhile, he followed classes with Olivier Messiaen, Franco Donatoni, Betsy Jolas, Jean-Claude Eloy and Iannis Xénakis. In 1993, he was selected to enter the Villa Medicis in Rome for two years, where he remained until 1995.
His compositional output (about seventy works to date) includes symphonic, vocal, electronic, acousmatic and chamber music. He has been commissioned by the French Ministry of Culture, Radio-France Philharmonic Orchestra, Südwestfunk Baden Baden, IRCAM, Percussions de Strasbourg, Ensemble Intercontemporain, Ensemble Court-Circuit, the Nouvel Ensemble Moderne, Aventa Ensemble, Ensemble 2e2m, Ensemble Sillages, Ensemble Orchestral Contemporain, INA-GRM, Sixtrum, Ensemble Ictus, Festival Musica, Ensemble BIT 20, Koussevitsky Foundation, San Francisco Contemporary Music Players, Ensemble Athelas, Orchestre National de Lorraine, Orchestre Philharmonique de Nice, CIRM, INTEGRA, and several other institutions of international standard.
His music is widely performed in various European festivals and International orchestras such as Donaueschingen, Radio-France Présences (Paris), Agora (Paris), Venice Biennale, Bath Festival, Festival Musica (Strasbourg), Stockholm ISCM, Barcelona Festival, Musiques en Scènes (Lyon), Festival Manca (Nice), Bergen Festival, Ultima (Oslo) Festival, Tage für Neue Musik (Zürich), BBC Symphony Orchestra (London), Tonhalle Orchester Zürich, BBC Scottish Symphony Orchestra (Glasgow), Philharmonia Orchestra (London), and the Czech Philharmony.
He has received many prizes and awards: Prix Hervé Dugardin, Best contemporary musical creation Award 1996 for (d’)ALLER, SACEM Prize, André Caplet and Nadia and Lili Boulanger Prizes from the Academy of Fine Arts (Institut de France), Salabert Prize for his piece Apocalypsis and Arthur Honegger Prize (Fondation de France) for his overhall production. In addition, Philippe Leroux has written articles on contemporary music and given lectures in teaches composition at Berkeley University (California), Harvard, Grieg Academy (Bergen), Columbia University (New York), Royal Conservatory of Copenhagen, University of Toronto, Fondation Royaumont, IRCAM, American Conservatoire at Fontainebleau, Paris and Lyon Conservatoires Nationaux Supérieurs, Domaine Forget (Quebec), Georgia Institute of Technology at Atlanta, and the Tchaïkovsky Conservatory at Moscow.
From 2001 to 2006 he was a teacher in composition at IRCAM as part of the “Cursus d’Informatique Musicale.” In 2005 and 2006, he was visiting professor at McGill University sponsored by the Fondation Langlois. From 2007 to 2009, he was composer-in-residence at Metz Arsenal and at Orchestre National de Lorraine, and then invited professor at Université de Montréal (UdeM) from 2009 to 2011. Since September 2011, he is Associate Professor in Composition at the Schulich School of Music, McGill University and is currently composer-in-residence with the Meitar Ensemble in Tel-Aviv.